![]() Monette mouthpieces magnify this to the max! When you hear yourself on the opposite side of the room, you are projecting. This is because the sound is now reaching the listeners from the player. This makes many players uncomfortable at first, because they feel they hear themselves less than before. When you do project, it sounds distant to you, like you are behind the sound. ![]() To a listener, it sounds distant because it is where you are, not where they are. When you don’t project, the sound stays around you like a booth, so you feel like there is lots of sound because you are surrounded by it. What many players don’t realize about projection is that the concept is for the sound to be where the listener is, not where the player is. Go into a bigger rehearsal room, bandroom, or auditorium, and that will change by about a factor of 10! You’ll hear the focus, but compared to your current mouthpiece you may feel there’s about the same or less sound on the Monette. Unbelievable! You won’t notice this as much in a small practice room. The mouthpieces themselves play like no other mouthpieces you are likely to play. Even if you never use a Monette mouthpiece, try the acclimation guide! I have found it to be very sound brass pedagogy. I tried applying them with my Bach Megatone mouthpieces and they were tremendously helpful. The extensive acclimation guide often makes players apprehensive about trying Monette mouthpieces. My experience is that they absolutely deliver everything they claim in a big way! Like anything truly original, there is some skepticism about them. “Monette mouthpieces are the most amazing mouthpieces I have ever encountered. It is an exceptionally versatile mouthpiece, easily comfortable for a variety of musical situations. The intonation is quite even across the entire range, and the projection is amazing. The 94 has a fantastic balance of full, rich tone with very clean articulation. The low range is quite responsive and open, yet the high range remains crisp and clear. It makes a great all around tuba mouthpiece. The Tuba 94 is close in size to a Conn Helleberg but with a deeper cup and wider rim. Sometimes trombone mouthpieces on euphonium won't have the right character of tone, but the BT 2 sounds just glorious. The intonation is very even across the entire range of the horn. It is quite flexible as well, with amazing projection. ![]() The large size improves the upper range and is great in the lower register. At first I felt it might be too big, especially in the high range, but it is easier to play than a smaller mouthpiece. It works very well on euphonium, keeping a full tone throughout the range. The BT 2 is close to a Bach 1 1/2 G, Schilke 58, or Wick SM 2 in size. Intonation is quite even across the entire range. The BT 1 S plays surprisingly well in the high range and stays clear and focused without going flat. Often such a big mouthpiece will be great in the low range, but suffer in the high range. The larger size with a slightly shallower cup makes it easier to play for me. It has great projection and focus for such a large mouthpiece. The BT 1 S is a very open bass trombone mouthpiece, larger than a Bach 1G, close to a Schilke 60 in size. The TT 4 LT is close in size to a Bach 4G, Schilke 52E2, or Wick 4AL. It has a wonderfully full symphonic tone. Intonation is very even across the entire range, and the projection is amazing. Range and volume extremes are easier to control and more consistent. It blows smoother and more freely for me than the TT 5 LT. The lightweight model has a quicker response for me on trombone and is not as heavy. The TT 4 LT is the lightweight model of the TT 4. Hopefully Dave will apply the Slap technology to all of the other low brass mouthpiece models. 509 small bore trombones like the Bach 16M. 525 medium large bore trombones like the Bach 36, where I prefer the TS 6 on. The TS 6 S1 has a bigger feel to me and I have found I like it more on. The tone is easy to control, from smooth to gutsy with no problem. Intonation is quite even across the entire range on both, and the projection is amazing. This helps make flexibility more agile, accurate, and secure with a solid tone. The Slap technology on the TS 6 S1 makes the "slot" for each note wider and easier to target. The TS 6 plays more open than the Bach without losing focus. The TS 6 and TS 6 S1 are close in size to a Bach 6 1/2 AL, Schilke 50, or Wick 6BS. TS 6 and TS 6 S1 Slap - small bore trombone Intonation is quite even across the entire range, and the projection is amazing. The TS 11 G just matches the sound of this size horn better for me than a larger mouthpiece like the TS 6 Slap. I like it on smaller bore trombones like. The TS 11 G plays more open than the regular TS 11 for me, while still keeping the focus of a smaller mouthpiece. The TS 11 G is close in size to a Bach 11C, but with a larger throat. Monette brass instrument mouthpieces reviews
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